The Ultimate Guide To Transferring Slides To Digital
This indicates it must be much better matched for the ES-1 (without additional extension). If scanning these old slides is your only goal, and presuming you already have the DSLR, and can discover an extension tube for DX, you may compare the macro You can find out more lens cost with a movie scanner. The lens is not a film scanner obviously, and a digital electronic camera will NOT appropriate to copy color negative film, but it works for slides.
The Nikon 60 http://query.nytimes.com/search/sitesearch/?action=click&contentCollection®ion=TopBar&WT.nav=searchWidget&module=SearchSubmit&pgtype=Homepage#/slides to digital mm macro lens is outstanding for any close-up work, and I 'd assume the other similar lenses are fantastic too. I predict the macro would rapidly become your favorite lens. This ES-1 setup works extremely well for scanning installed slides rapidly - like magic after you get the hang of it.
The macro lens optical quality is remarkable, however the other aspects are possibly not genuinely optimal (haste, installing, framing, etc), not the very same as a real movie scanner. However still rather easy, and which appears more than sufficient for this purpose to recapture thousands of old slides for classic functions.
Transfer Slides To Digital Fundamentals Explained
Honestly, due to the months of work that would be needed on a film scanner, this task went years without taking place at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, using the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).
The image is considerably bigger than your monitor screen, and to see full size, you might have to save the larger image and view with an image editor, or you could shut off Automatic Image Resizing in your internet browser. The cam macro lens seems the obvious bet for superior optical quality. :-RRB- Results are undoubtedly sufficient. And did I discuss it is very quick? Checking extremes possibly, however here is the very same slide copied with a Canon A 620 Power Shot compact electronic camera (point & shoot) in its macro mode. No extra accessory was used - its macro mode gets this close if zoomed to wide-angle.
Pixel measurements are roughly equivalent to scanning at 2500 dpi. This was a rapidly kludged setup for the one image here. (My technique: keep overdoing things to resolve the next immediate problem). The cam was on a tripod. The slide was literally standing up on edge on top of a light stand pole, held with a piece of tape.
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This light was a 150 watt home incandescent lamp (possibly 2900K?) in a ten inch clamp-on energy reflector on a light stand (about 15 inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it adequately (this lighted location must be a couple of feet wide, the slide at 1/2 inch is a large angle scenario).
The JPG was a little blue, and was adjusted here with -Blue and +Red. Auto exposure was ISO 100 and 1/80 2nd (dead time shutter to let video camera stop shaking). This video camera takes 4:3 pictures, but the slide was 3:2, so the ends are cropped. Or, a little more range would have made the image smaller sized so it would all fit, and then it could have been cropped to 3:2.
A straight edge held to the leading railing on the right reveals a similar bow, which is visible. Considerable vignetting (dark corners). This is a quite severe circumstance for the little compact electronic camera lens. Not sure you would in fact desire to try this, but it can work. I did feel the really strong need for a hassle-free slide holder.
Not known Details About Digitalize Slides
Compacts do not specify their macro reproduction ratio, so the calculator can not include them. Many other methods of holding and illuminating the slide are definitely possible. If you have a longer macro lens, you certainly require something besides the ES-1 anyway. You just require a diffused light behind the slide, and a camera and macro lens in front of it.
One typical way positions a lighted white paper or foam board background a foot or two behind the slide, with the electronic camera and macro Browse around this site lens on a tripod in front. Slide holder might be a plastic tablet bottle screwed to a board, with a slot cut at top to hold the slide standing.
Cam tripod screws are a common 1/4-20 UNC screw (Unified Thread Requirement, coarse thread, 1/4 inch diameter, 20 pitch per inch), common in any North American hardware shop. Speedlight flash is likewise great for freezing camera shake. Or, merely standing the slide on a regular lighted slide sorting tray is generally the very same thing, pointing the lens at it, https://en.search.wordpress.com/?src=organic&q=slides to digital rear lighted.
The Ultimate Guide To Slides To Digital
The holder should be simple and fast and stable, you don't desire it to move. Here's a neat DIY idea shared by Jim Simpson in Nova Scotia Canada. The grooved mounting for slides is 3/4 inch wood knobs, and it looks really handy and simple to run. Tokina 100 mm macro lens on Nikon D 7100 electronic camera, using a white screen flashlight app (Android).
White balance is Cloudy, or Shade often (correcting private slides will vary a little). Installing the electronic camera and the slide on the same board lessens any possibility of electronic camera shake. Of course, these do need to be mounted at the right distance so that the slide fills your frame at your typical 1:1 or 1:1.5 focus range.